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At Last for vocal with big band
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Vous avez sélectionné:
At Last for vocal with big band
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At Last for vocal with big band
At Last for vocal with big band
Piano Accompaniment,Alto Sax,Tenor Sax,Baritone Sax,Trumpet,Trombone,Drum Set,Voice,Guitar,Bass Guitar,Big Band
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Etta James
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John Milne
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At Last for vocal with big ban
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Odd Shoe Music
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SheetMusicPlus
By Etta James. Arranged by John Milne. Score, Set of Parts. 29 pages. Published by Odd Shoe Music (H0.266301-45040). - Score,Set of Parts - - Odd Shoe Music...
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By Etta James. Arranged by John Milne. Score, Set of Parts. 29 pages. Published by Odd Shoe Music (H0.266301-45040). - Score,Set of Parts - - Odd Shoe Music
$39.99 ≈
37.32€
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Ensemble de Tubas
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INTERMÉDIAIRE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller?s signature tune. In 1991, Miller?s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master?s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra?s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrs Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song?s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ?Moonlight Serenade? for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
12.12€
Maybe This Time
Maybe This Time
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Comédie Musicale
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John Kander
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Michael Pilley
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Maybe This Time
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Michael Pilley Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.746217 Composed by John Kander. Arranged by Michael Pilley. Broadway,Jazz,Musical/Show. Brass Band. 55 pages. Michael Pilley Music #4796517. Published by Michael Pilley Music (A0.746217). The ever popular tune from Cabaret, this arrangement is a perfect addition to your concert repertoire. Faithful to the original orchestration and form, this swinging number is suitable for female vocalists, with an option to feature any instrumentalist from the band, Eb instruments preferred. A good understanding of big band style swing is required, with a healthy dose of trombone lines, and there is also an optional Piano part.Written for Tredegar Town Band and vocalist Siwan Henderson, this arrangement is at an advanced intermediate level and requires a good sense of time and advanced range in the lead players. Sensitivity to the vocalists volume is always suggested when accompanying a soloist, so playing one per part might be encouraged at times.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00 ≈
46.67€
Should I Stay Or Should I Go
Should I Stay Or Should I Go
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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The Clash
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Michael Pilley
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Should I Stay Or Should I Go
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Michael Pilley Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167). Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.THE SONGReleased in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.THE BANDSwing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00 ≈
46.67€
Imagine
Imagine
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Ensemble Jazz
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FACILE
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John Lennon And The Plastic On
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Brad Esbensen
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Imagine
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.774364 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Brad Esbensen. Contemporary,...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.774364 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Brad Esbensen. Contemporary,Pop,Rock. Score and Parts. 36 pages. Brad Esbensen Music Services #3916089. Published by Brad Esbensen Music Services (A0.774364). This arrangement, in C major, follows the same form as originally performed by John Lennon. A straight forward big band arrangement accompanies the vocalist with some background interjections scored for the 1st Alto Sax. All rhythm section parts are fully notated and brass ranges are comfortable. Trumpets require flugelhorn doubles in this chart. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00 ≈
56.00€
Hello, Young Lovers
Hello, Young Lovers
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Stevie Wonder
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Michael Pilley
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Hello, Young Lovers
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Michael Pilley Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.746235 By Stevie Wonder. By Richard Rodgers. Arranged by Michael Pilley. Jazz. Score and parts. 77 pages...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.746235 By Stevie Wonder. By Richard Rodgers. Arranged by Michael Pilley. Jazz. Score and parts. 77 pages. Michael Pilley Music #5453455. Published by Michael Pilley Music (A0.746235). The first track on The Temptations in a Mellow Mood, an album released as a crossover to white audiences, this classic Rodgers & Hammerstein tune is a great example of The Temptations close harmony skills. This is an arrangement for Big Band with Solo Male Vocal and TTBB, playable by intermediate ensembles and transcribed note for note from the recording. Starting in a Latin style reminiscent of Manteca, this arrangement is mainly in a big band swing style and briefly transitions to a jazz waltz in the middle section. Due to the vocals being featured, the horns are used sparsely and there are few sections where extended rehearsal is needed. Although the album itself doesn't break down who arranged this initially, it more than likely is an Oliver Nelson creation. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00 ≈
46.67€
Fly Me To The Moon (in Other Words)
Fly Me To The Moon (in Other Words)
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Jazz
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Tony Bennett
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Michael Pilley
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Fly Me To The Moon
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Michael Pilley Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Flute,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.746258 By Tony Bennett. By Bart Howard and S...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Flute,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.746258 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Michael Pilley. Jazz. Score and parts. 13 pages. Michael Pilley Music #6561937. Published by Michael Pilley Music (A0.746258). The classic Frank Sinatra tune originally recorded with the Count Basie Big Band, this is an essential arrangement for any jazz vocalist to have in their library. This is a direct transcription of the recording, arranged for 4-6 horns (2 trumpets, alto sax / flute, tenor sax, baritone sax and trombone), and engraved professionally to easily read down in a session. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$25.00 ≈
23.33€
Fly Me To The Moon (in Other Words)
Fly Me To The Moon (in Other Words)
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Jazz
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Tony Bennett
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Michael Pilley
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Fly Me To The Moon
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Michael Pilley Music
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SheetMusicPlus
Small Ensemble Flute,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.746259 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Mich...
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Small Ensemble Flute,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.746259 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Michael Pilley. Jazz. Score and parts. 7 pages. Michael Pilley Music #6561943. Published by Michael Pilley Music (A0.746259). The classic Frank Sinatra tune originally recorded with the Count Basie Big Band, this is an essential arrangement for any jazz vocalist to have in their library. This is a direct transcription of the recording, arranged for 3 horns (trumpet, tenor sax / flute, and trombone), and engraved professionally to easily read down in a session. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$15.00 ≈
14.00€
Breeze And I
Breeze And I
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Al Stillman and Ernesto Lecuon
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F
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Breeze And I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie Smith. Multicul...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie Smith. Multicultural,Pop,Standards,World. Score and parts. 37 pages. Sweetwater Brass Press #764401. Published by Sweetwater Brass Press (A0.1164066). Ernesto Lecuona was born 1895 in Cuba. He began piano lessons at 5 years of age and developed into a virtuoso pianist and internationally celebrated composer. In 1928 he composed Suite Andalucía, a six-movement piano piece portraying the people and places of the Andalusia region of southern Spain. Two of those pieces eventually achieved tremendous popularity as standalone songs: #2, “Andalucia” and #6, “Malagueña.” Lecuona had composed both in ¾ time. Salvador Tutti Camarata reframed “Andalucia” in 4/4, Al Stillman provided English lyrics and the song was given a new title, “The Breeze and I.” Jimmy Dorsey’s big band recorded it in 1940 with the vocal by Bob Eberly. It was hugely popular, lasting nine weeks on the Billboard magazine chart and peaking at #2. Fifteen years later, Caterina Valente recorded both “The Breeze and I” and “Malagueña” to great success. This arrangement opens in A-flat major with Trumpets, Horn and Tuba laying down a Latin beat and the Trombone playing an opening lick. After the introduction, Trombone and Trumpets take turns with the melody, while Horn and Tuba provide variety and accents. On the second time through, the key changes to E-flat major and begins with a Trumpets-and-lower-brass fanfare. The melody repeats, but this time with a different take. Horn and Trombone take turns with melody and counter melody, then Trumpets take over. After several cascade effects, the tune reaches its end and Trumpets play an extended version of Trombone’s lick from the introduction. The group then repeats the final 16 bars of the tune and winds up with an extended ending treatment. Trombone once again contributes its opening lick, and the arrangement fades away . . . all to a Latin beat. Enjoy! Time signature is 2/2 and suggested tempo is 72 BPM, which is maintained all the way through. There are two instances of a one-bar change to 3/2. The fanfare at Section C contains a measure and a half of 16th notes. All notes are well within the normal playing range of the five instruments. Completed in 2023, performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99 ≈
12.12€
Fly Me To The Moon (in Other Words)
Fly Me To The Moon (in Other Words)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Tony Bennett
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Michael Pilley
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Fly Me To The Moon
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Michael Pilley Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746255 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Michael Pilley. Jazz. Score an...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746255 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Michael Pilley. Jazz. Score and parts. 27 pages. Michael Pilley Music #6561927. Published by Michael Pilley Music (A0.746255). The classic Frank Sinatra tune originally recorded with the Count Basie Big Band, this is an essential arrangement for any jazz vocalist to have in their library. This is a direct transcription of the recording, arranged for theatre band (vocal/keyboard, 2 trumpets, alto sax / flute, tenor sax, baritone sax, trombone and rhythm section) and engraved professionally to easily read down in a session. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00 ≈
46.67€
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At Last for vocal with big band
